Off Season

This short story is the result of @Curator@mastodon.art‘s “challenge” found there. Four images, 200 words. Didn’t know if that meant 200 words per image or 50, and I like my shorts shorts. 🙂 Snow has been building up. Again. Over the previous layers. I should have gotten used to it by now, but haven’t. Most […]

Guardian Angel

The air is hot. Camille’s already in bed, but she can’t sleep. Mum has allowed her to read a little in bed as long as she doesn’t fret too much. * Louise is tidying up. She pulls the lunchbox from the schoolbag, takes out the empty cake wrappers, throws them away and puts the box […]

Breakaways

The reptiles had chosen the slow, collective option. In their early times, they had played a lot on many variations, and things like growing fins on one’s back, or a disproportionate neck, was considered amusing, if somewhat tasteless, whims. So: trying to fly? Suit yourself. Granted, happenstance cut this approach short and seriously upset climatic […]

THE BENEFACTOR

This text, written by Albert Aribaud <albert.aribaud@free.fr> was published in 1996 in issue 11 of the French fanzine Dragon et Microchips by l’Oeil du Sphinx and is reproduced here by kind permission from Philippe Marlin, of l’OdS, as (slightly) edited on June 15, 2020 following thoughtful remarks from Laird Bob Fumble, whom you can follow […]

Ave Fortuna

(French version originally published on May 30th, 2010; reproduced and translated here on June 6th, 2018, fixing a link dead since.) Yesterday, May 29th 2010, I was at the Toulouse ZĂ©nith. Not in the audience this time, but as a singer and extra in Carmina Burana Domus Derelictae directed by Gilles Ramade for the stage […]

Empathy

This text, written by Albert Aribaud <albert.aribaud@free.fr>, proofread in French on the (late) Atelier de Création Littéraire, is published under Creative Commons by-nc-nd (attribution, no commercial usage, no modification) license; for any use incompatible with this license, contact the author. The attribution constraint implies keeping this paragraph just before or just after the text title. The text may be reproduced in any file format as long as it does not contain any digital rights management mechanism.

I am sitting at the terrace of the café, savoring the fact, firstly that there still are some cafés left with a terrace to sit at, and secondly that this one is close enough that I can stop there from time to time on my way to work.

My coffee (decaffeinated, for health reasons) is kindly waiting for me to finish drinking it, while I read my morning paper and wait for for a lab colleague whose arrival I check for with a quick glance after each news item.

As I cast one of these glances, I notice the individual stationed on the pavement across the street. Stationed is the word : he is staring at me, unmoving among the passers-by. His gaze crosses mine, and that is, I am sure, what sets him in motion toward me […]